FANDOM


 
(16 intermediate revisions by 6 users not shown)
Line 1: Line 1:
[[File:George_Melies.jpg|thumb|Filmmaker Georges Méliès.]]
+
[[File:George_Melies.jpg|thumb|180px|Filmmaker George Méliès.]]
[[File:A Trip To The Moon - Full Movie ENG 1902 HD 720-30p.|thumb|right|325px|The long-thought-lost color version of Méliès' ''A Trip to the Moon''.]] '''''NOTE: '''Because of this man's absolutely massive filmography, any information on his missing films should be put here. Nearly half of his 500+ films are still missing, many with very minimal information. This is to prevent hundreds of articles on his films, many of which would be very short and lacking information.''
+
[[File:Le voyage dans la lune (A trip to the Moon) - 1902|thumb|right|335 px|The long-thought-lost color version of Melies' ''A Trip to the Moon''.]]
  +
<blockquote>'''''NOTE: '''Because of this man's absolutely massive filmography, any information on his missing films should be put here. Nearly half of his 500+ films are still missing, many with very minimal information. This is to prevent hundreds of articles on his films, many of which would be very short and lacking information.''</blockquote>'''Georges Méliès' missing movies''' describes a collection of over 200 missing short films by Georges Méliès.
   
'''Georges Méliès''' is often cited the "First Magician of Cinema". Starting out his career as a stage magician, he was introduced to film by its French inventors during a tour. He invested his time and money into constructing a film studio (possibly the first of its kind). Though he struggled financially at first, he went on to become one of the most successful and influential filmmakers of his time.
 
   
Méliès was a special effects wizard. If he didn't invent a lot of camera and film techniques, you can almost sheerly bet he perfected or mastered them. His films have a very surreal, almost dream-like feel to them. Where other filmmakers of his time used special effects that look dated by today's standards, Méliès films continue to wow audiences even in today's CGI-induced graphics.
 
   
Melies slowly fell out of popularity. By the time World War I ended, audiences had become disillusioned of his dream-like visions and Georges went bankrupt. He had to shut down his business and destroy most of his master negatives in order to sell the silver contained in the film to pay off his debts. It wouldn't be until close to Méliès' death that his films would be recognized for their historical importance.
 
   
Of the over 500 Méliès films, a grand total of 231 exist today. His films are some of the most commonly sought-after films of his era. To make matters worse, some films exist only in their black-and-white versions with many of his color versions (which were hand-tinted frame by frame) are still gone. Every now and then a film surfaces and gets remastered and cleaned up. The most recent film discovery from him is a color copy of his most treasured film ''A Trip to the Moon''. It was found in an abandoned barn in the intense French heat, amazing many historians that it didn't ever catch on fire (as silver nitrate almost always does). New interest in his films has risen thanks to the 2011 film ''Hugo'', which offered a (highly fictionalized) view of his life.
+
== History ==
==List of the lost films==
+
French filmmaker Georges Méliès (1863-1938) was arguably the most important figure in early cinema. Starting out his career as a stage magician, he was introduced to motion pictures in 1895 by the Lumière Brothers during a showcase tour. He invested his time and money into constructing a film studio (possibly the first of its kind). Though he struggled financially at first, he went on to become one of the most successful and influential filmmakers of his time, producing, directing, writing, and starring in hundreds of short films.
*Arrivée d'un train gare de Vincennes (Arrival of a train at the Vincennes station)
+
*L'Arroseur (The Waterer)
+
Méliès was a special effects wizard. If he didn't invent a lot of camera and film techniques, he perfected or mastered them. He was also one of the first film makers to realize the potential of motion pictures to create fantasy worlds and tell fantastic stories (before George, movies for the most part were only used to document real life). His films have a very surreal, almost dream-like feel to them. Where other filmmakers of his time used special effects that look dated by today's standards, Méliès' films still stand today.
*Batteuse à vapeur (Steam Threshing Machine)
+
*Bébé et Fillettes (Baby and Little Girls)
+
Sadly, Méliès fell out of popularity in the 1910s. After witnessing the horrors of the First World War, most audiences simply found his fanciful dream-like visions irrelevant and didn't bother paying money to see them. Georges went bankrupt. He had to shut down his studio and destroy most of his master negatives in order to sell the silver contained in the film to pay off his debts, thus creating a load of missing movies. It wouldn't be until close to Melies' death that the importance of perserving his films for their historical importance was realized.
*Le Bivouac (The Bivouac Shelter)
+
*Les Blanchisseuses (The Laundresses)
+
== Discovered Films ==
*Bois de Boulogne (Boulogne Woods)
+
Of the over 500 Méliès films, a grand total of 231 exist today. His films are some of the most commonly sought-after films of his era. To make matters worse, some films exist only in their black-and-white versions. Many of his color versions (which were hand-painted frame by frame and sold for higher prices then the black and white versions) are still gone. Every now and then, a film surfaces and gets remastered and cleaned up. One of the most recent discoveries from him is a color copy of his most treasured film ''A Trip to the Moon (1902)''. It was found in an abandoned barn, amazing many historians that it didn't ever catch on fire (as silver nitrate almost always does). Another notable film of his that has been discovered is The Devil's Castle (1896), which is, as far as is known, the first horror film ever made. The Christmas Dream (1900) is another recovered movie of his, and is one of the first Christmas movies ever made. New interest in his films has risen thanks to the 2007 novel The Invention of Hugo Cabret, and its 2011 film adaptaion, which offered a (highly fictionalized) view of his life.
*Boulevard des Italiens
+
*Campement de Bohémiens (Gypsy Encampment)
+
'''UPDATE 4/18/15:''' A [https://youtu.be/lUAD4lKNDI8 backup link] to the colorized ''A Trip to the Moon'' is now available.
*Danse Serpentine (Snake-like Dance)
 
*Départ des Automobiles (Cars' Start)
 
*Départ des Officiers (Officers' Start)
 
*Effets de mer sur les rochers (Sea effects on the rocks)
 
*Enfants jouant sur la plage (Children playing on the beach)
 
*Le Manoir du Diable (Devil's Mansion) ; partly lost
 
*Place de la Concorde
 
*La Voiture du Potier (The Potter's Car)
 
*Cortège du tsar allant à Versailles (Tsar's procession going to Versailles)
 
*Cortège du tsar au bois de Boulogne (Tsar's processiong at the Boulogne woods)
 
*Barque sortant du port de Trouville (Rowboat coming out of Trouville's harbor)
 
*Bateau-Mouche sur la Seine (Bateau-Mouche on the Seine)
 
*Les Chevaux de Bois (The Wooden Horses)
 
*Le Chiffonnier (The Rag-gatherer)
 
*Le Couronnement de la Rosière (The Crowning of the Virtuous Girl)
 
*Le déchargement des bateaux (The unloading of the boats)
 
*Dessinateur: Chamberlain (Drawing artist: Chamberlain)
 
*Dessinateur express (Express drawing artist)
 
*Dessinateur: Reine Victoria (Drawing artist: Queen Victoria)
 
*Dessinateur: Von Bismarck (Drawing artist: Von Bismarck)
 
*Dix chapeaux en 60 secondes (Ten hats in 60 seconds)
 
*La damnation de Faust (Faust's damnation)
 
*Porte monumentale (Monumental door)
 
*La Rue des nations (Street of the nations)
 
*Les Sept Péchés Capitaux (The Seven Deadly Sins)
 
*
 
 
[[Category:Lost Movies]]
 
[[Category:Lost Movies]]

Latest revision as of 04:34, July 7, 2019

George Melies

Filmmaker George Méliès.

Le voyage dans la lune (A trip to the Moon) - 1902

Le voyage dans la lune (A trip to the Moon) - 1902

The long-thought-lost color version of Melies' A Trip to the Moon.

NOTE: Because of this man's absolutely massive filmography, any information on his missing films should be put here. Nearly half of his 500+ films are still missing, many with very minimal information. This is to prevent hundreds of articles on his films, many of which would be very short and lacking information.
Georges Méliès' missing movies describes a collection of over 200 missing short films by Georges Méliès.



History Edit

French filmmaker Georges Méliès (1863-1938) was arguably the most important figure in early cinema. Starting out his career as a stage magician, he was introduced to motion pictures in 1895 by the Lumière Brothers during a showcase tour. He invested his time and money into constructing a film studio (possibly the first of its kind). Though he struggled financially at first, he went on to become one of the most successful and influential filmmakers of his time, producing, directing, writing, and starring in hundreds of short films.

Méliès was a special effects wizard. If he didn't invent a lot of camera and film techniques, he perfected or mastered them. He was also one of the first film makers to realize the potential of motion pictures to create fantasy worlds and tell fantastic stories (before George, movies for the most part were only used to document real life). His films have a very surreal, almost dream-like feel to them. Where other filmmakers of his time used special effects that look dated by today's standards, Méliès' films still stand today.

Sadly, Méliès fell out of popularity in the 1910s. After witnessing the horrors of the First World War, most audiences simply found his fanciful dream-like visions irrelevant and didn't bother paying money to see them. Georges went bankrupt. He had to shut down his studio and destroy most of his master negatives in order to sell the silver contained in the film to pay off his debts, thus creating a load of missing movies. It wouldn't be until close to Melies' death that the importance of perserving his films for their historical importance was realized.

Discovered Films Edit

Of the over 500 Méliès films, a grand total of 231 exist today. His films are some of the most commonly sought-after films of his era. To make matters worse, some films exist only in their black-and-white versions. Many of his color versions (which were hand-painted frame by frame and sold for higher prices then the black and white versions) are still gone. Every now and then, a film surfaces and gets remastered and cleaned up. One of the most recent discoveries from him is a color copy of his most treasured film A Trip to the Moon (1902). It was found in an abandoned barn, amazing many historians that it didn't ever catch on fire (as silver nitrate almost always does). Another notable film of his that has been discovered is The Devil's Castle (1896), which is, as far as is known, the first horror film ever made. The Christmas Dream (1900) is another recovered movie of his, and is one of the first Christmas movies ever made. New interest in his films has risen thanks to the 2007 novel The Invention of Hugo Cabret, and its 2011 film adaptaion, which offered a (highly fictionalized) view of his life.

UPDATE 4/18/15: A backup link to the colorized A Trip to the Moon is now available.

Community content is available under CC-BY-SA unless otherwise noted.